Beethoven's Piano Sonata No. 12 in A-flat major, Op. 26, composed in 1800-1801, stands out for its unconventional structure and emotional depth. Rather than following the traditional sonata form with a fast opening movement, Beethoven begins with a set of variations, Andante con variazioni. The theme is elegant and lyrical, and each variation subtly transforms it, showcasing Beethoven's mastery of variation technique.

The second movement, Scherzo (Allegro molto), brings a lively, rhythmic contrast to the serene opening. Its playful, dance-like character features rapid exchanges and dynamic shifts, adding a sense of lightheartedness to the work.

The third movement, Marcia funebre sulla morte d'un eroe (Funeral March for the Death of a Hero), is the emotional centerpiece of the sonata. This solemn and deeply expressive march, with its powerful and tragic mood, prefigures the later emotional depth of Beethoven’s more famous works, such as the "Eroica" Symphony.

The final movement, Allegro, is brisk and energetic, providing a spirited conclusion that contrasts with the gravity of the funeral march. Sonata No. 12 is notable for its innovative structure and emotional range, marking Beethoven’s departure from classical norms and his growing expressive ambitions in piano writing.

My recordings of all 32 sonatas offer a deep exploration of Beethoven's emotional and structural range, connecting the listener with the composer's transformative journey through these masterpieces.

Reflecting on my recordings of all 32 sonatas, the Evening Standard remarked, "If Beethoven hadn't written his piano sonatas in mind for himself, he might quite happily have written them for Crossland," a sentiment that humbles and inspires me in interpreting these monumental works.