Beethoven's Piano Sonata No. 7 in D major, Op. 10, No. 3, composed in 1798-1799, is a vibrant work that showcases the composer's emerging style. The sonata is notable for its energetic opening movement, marked Allegro, which presents a lively theme that evolves through various tonal explorations. The second movement, Largo e mesto, contrasts sharply with its lyrical and introspective character, offering a moment of emotional depth. The playful Scherzo, marked Allegretto, features rhythmic drive and witty exchanges between hands, while the spirited final movement, Presto, brings the sonata to a jubilant conclusion with its rapid-fire themes and exuberant energy. This work not only highlights Beethoven’s mastery of form and thematic development but also serves as a precursor to the emotional intensity found in his later compositions. The Sonata No. 7 remains a favorite in the piano repertoire, celebrated for its brilliance and depth.
My recordings of all 32 sonatas offer a deep exploration of Beethoven's emotional and structural range, connecting the listener with the composer's transformative journey through these masterpieces.
Reflecting on my recordings of all 32 sonatas, the Evening Standard remarked, "If Beethoven hadn't written his piano sonatas in mind for himself, he might quite happily have written them for Crossland," a sentiment that humbles and inspires me in interpreting these monumental works.
